Monday, January 22


Beyond the Multiplex You can start out a weekend at Sundance, as I did, irritated by all the minor inconveniences of this place and end it, as I also did, sitting in a roomful of strangers weeping at an impromptu late-night speech delivered live by Dick Gephardt. In between came a lot of other things: a grisly horror movie about a girl blessed with a unique ability to repel sexual advances, a lyrical documentary about men who love horses (in a manner illegal in most jurisdictions), a faux-documentary about the growing population of zombies (aka the "non-living community") in Los Angeles. My favorite film of the festival so far, beyond a doubt, is a documentary about a dead '80s rock musician that I almost didn't show up for.

No question about it, Sundance can be a pain. Sometimes, as you're trudging through the icy muck from one distant venue to another, or waiting in the bone-numbing wind, while your extremities turn exquisite shades of crimson and ivory, for a shuttle bus that will putter along so incrementally you'd be better off just trudging through the icy muck, thoughts occur to you. Thoughts like: Whose idea was it to wedge a major film festival into a ski resort at the peak of snow season, when it's freezing cold, insanely expensive and plagued with blond people recklessly driving SUVs and recklessly wearing headbands? Salon

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